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	<title>Elise Schierbeek</title>
	<link>https://eliseschierbeek.cargo.site</link>
	<description>Elise Schierbeek</description>
	<pubDate>Wed, 06 Aug 2025 21:21:48 +0000</pubDate>
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		<title>home</title>
				
		<link>https://eliseschierbeek.cargo.site/home</link>

		<pubDate>Sat, 09 Jul 2022 23:03:58 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

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		<title>about</title>
				
		<link>https://eliseschierbeek.cargo.site/about</link>

		<pubDate>Sun, 17 Jul 2022 22:02:44 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

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	Elise Schierbeek&#38;nbsp;b. 1995

Elise Schierbeek is a media archivist, film programmer, and writer from the Midwest who advocates for experimental and documentary film. She has programmed for the Onion City Experimental Film Festival since the fall of 2024, is part of the itinerant curatorial project Employees Only, and has served as a juror for the Milwaukee Film Festival, Nashville Film Festival, Creative Capital, and Kartemquin’s Hulu Accelerator Program. Day to day, Elise works as Collection Manager and Film Restorer at the San Francisco Film Preserve, maintaining the catalog, loan program, and digital preservation while supporting on digital restoration projects. She previously served as Digital Collection and Media Manager at Video Data Bank and as Archive and Distribution Associate at the legendary documentary production house Kartemquin Films in Chicago. She began her career assisting in the School of the Art Institute of Chicago's John M. Flaxman Library 16mm Film Study Collection and the Gene Siskel Film Center. 
Elise holds a BFA in Film, Video, New Media, and Animation from SAIC and is currently completing her MA in Visual and Critical Studies there. This summer, Elise is excited to take part in the 11th FIAF Film Restoration Summer School cohort at Cineteca di Bologna and L'Immagine Ritrovata, supported by the Fédération Internationale des Archives du Film and the Association des Cinémathèques Européennes. Elise is an active member of the Association of Moving Image Archivists, where she serves as an advisor for emerging archivists. 
 


︎ @carbon.lake︎ elise.schierbeek@gmail.comEDUCATIONMaster of Arts, Visual and Critical Studies 2026, SAIC, Chicago
Bachelor of Fine Arts - Studio, 2019, SAIC, Chicago

–FIAF Film Restoration Summer School, 2026, Bologna
Comfort Film Programmer Fellowship, 2024, ChicagoAssociation of Moving Image Archivists Mentorship, 2022Samuel H. Kress Foundation Scholarship, Summer Educational Institute of the Art Libraries Society of North America (ARLIS) and the Visual Resources Association, 2022 
Burren Studio Residency SAIC, 2019, Burren College of Art, IrelandPROFESSIONAL
2026 - Present Collection Manager and Film Restorer - San Francisco Film Preserve
2022 - 2025&#38;nbsp;Digital Collection &#38;amp; Media Manager - Video Data Bank, School of the Art Institute of Chicago2021 - 2022 Archive &#38;amp; Distribution Associate - Kartemquin Films 
2019 - 2020 Archive Associate - Kartemquin Films 
2019 Archive Assistant - Kartemquin Films
2018 - 2019 Box Office Assistant - Gene Siskel Film Center2018 Manuscript Assistant - SAIC Liberal Arts Science Faculty2017 - 2019 Media Collections Assistant - John M. Flaxman Library Special Collections, School of the Art Institute of Chicago
 
2017 - 2019 Stock footage cataloger - A/V Geeks



	


CURATION2026 Employees Only, 88:88 + Quantity Cinema, April 2026. FACETS. Co-curated by The Neu Lithium.
2026&#38;nbsp;Onion City Experimental Film Festival, April 2026. Chicago Filmmakers.
2026 Employees Only, Your brother. Remember? Feb 2026. FACETS.
2026 Employees Only + Undercurrents HI, LIGHT IS.&#38;nbsp;Jan 2026. 3rd Space Honolulu.
2025  Employees Only + aemi, The said and the unsaid. Nov 2025. Chicago Filmmakers.
2025&#38;nbsp;Employees Only, GOTHIC KING COBRA + SWEET SAL. Sept 2025. Elastic Arts.
2025 LYNDALE &#38;amp; Tomboychik, Sept 2025. VDB TV.
2025 Dog Days: Superimposing the Canine, July 2025. VDB TV.&#38;nbsp;
2025&#38;nbsp;Employees Only, GRIN AND BEAR IT: Cinema of the Dark Clown. 
Co-curated with Tone Glow, May 2025. Elastic Arts.
2025&#38;nbsp;Employees Only, Ben Russell: AGAINST TIME, April 2025. FACETS.&#38;nbsp;
2025 Onion City Experimental Film Festival, April 2025. Chicago Filmmakers.
2024 Employees Only, SPECIES BEING, Dec 2024. Sweet Void Cinema.
2024 Peripheries Experimental Film &#38;amp; Video Festival, Sept 2024. Sweet Void Cinema.
2024 Miranda July and Shana Moulton, April 2024. Comfort Station.2023 Doldrums: On the Uncanny Domestic, April 2023. VDB TV.
Committees and Juries
2025 Nashville Film Festival The Edge Shorts Program Juror2025 Creative Capital Award Reviewer2024-2025 Association of Moving Image Archivists Mentorship Advisor


2025 APA / AMIA Generative AI Interest Group Subcommittee Member - AI Upscaling
2024 SAIC&#38;nbsp;ExTV ExFest Juror
2024 Reeling Film Festival Screening Committee

2023-2024 Onion City Film Fest Screening Committee

2022 Milwaukee Film Festival Shorts Program Juror
2022 Kartemquin / Hulu Accelerator Green Light Committee


				
			
		
	


	
		
		
	
	
		
			
				
					
PUBLICATION&#38;nbsp;

					
2025&#38;nbsp;Dog Days: Superimposing the Canine, July 2025. VDB TV. 
2025 The Tick, The Tell, The [ ]. SAIC MAVCS Canon Publication, April 2025. Editor and contributor. 
2025&#38;nbsp;Tone Glow 174: Daniel Blumberg, Feb 2025. An interview with experimental musician and ‘The Brutalist’ composer Daniel Blumberg.
2024 CINE-FILE capsules:&#38;nbsp;
PREPARED TEXTS /&#38;nbsp;HIGH SCHOOL /&#38;nbsp;UZI’S PARTY / ROUNDABOUT FT. LIGHT CONE / EYEWORKS / BLOODSISTERS /&#38;nbsp;STATES OF PLACE / BRIEF SPACE OF A TIME&#38;nbsp;/&#38;nbsp;SEEKING MAVIS BEACON /&#38;nbsp;MY FIRST FILM / GOLUB / MS.45 + COFFY / TEO HERNÁNDEZ
2023 “Camera #1, Kartemquin Films” by Elise Schierbeek and Tim Horsburgh. Tales From the Vaults:
Film Technology over the Years and across Continents. International Federation of Film Archives (FIAF) and The International Research Partnership on Cinema Technology (TECHNÉS). June 2023.
2023 “Doldrums: On the Uncanny Domestic“ by Elise Schierbeek. VDB TV, Video Data Bank. April 2023.
2022 “Reconstructing Copyright Law: An Interview with Jack Lerner and Gordon Quinn” by Elise Schierbeek. Kartemquin Films Camera One Blog.
2020 “Kartemquin’s Archive in Good Hands” by Peter Monaghan, interview with Elise Schierbeek. Moving
Image Archive News.
2019 “Diachronous Markers, Violent Surfaces” by Diamond Woods, Elise Schierbeek, Lucas Reif, Zhanna
Ter-Zakaryan. Unseen and Anthropocene: Unearthing Chicago as Second-Nature. Minding Nature Journal Winter 2019, Vol. 12 No.1. Chicago, IL.
2018 “Bodies of Water,” ON / Being Read. On Journal, Issue 02. Ed. Gabrielle Welsh. Published by Shelf Shelf, Chicago, IL.PANELS + LECTURES

2026 Telic Resolution, or, Required Images. School of the Art Institute of Chicago, Issues in Visual and Critical Studies.
2025 Video Data Bank’s Educational Streaming Platform: Screening Presentation. Association of Moving Image Archivists (AMIA) Conference. Chair.
2024 Building Professional Mentorship in the Field.&#38;nbsp;Association of Moving Image Archivists (AMIA) Conference. Panelist.
2024&#38;nbsp;Kartemquin Films: Documentaries for Democracy - ‘Be the Change: Kartemquin Films Builds the Future.’ Panelist.&#38;nbsp;
2023 Guerilla Television - Media Burn and Kartemquin Films. Midwest Archives Conference. Presenters: Elise Schierbeek and Dan Erdman. 2021 The Portable Revolution: The 1970s Guerilla Television Movement. Presenter in Media Burn Archive
Screening and Discussion.2021 Living Archives: A Roadmap for Donation of Documentary Production Collections. Association of Moving Image Archivists (AMIA) Conference. Panelists: Elise Schierbeek (Chair), Carolyn Faber, Nadia Ghasedi, Andy Uhrich.EXHIBITION
2022 Kid Pix Art Show–Media Archeology Lab @ New Art City–Online2020 Direct Sunlight–LVL3 Gallery–Wicker Park 
2019 SAIC BFA Show–Sullivan Galleries–Chicago 
2019 SITE Curated: A Poem Left Untitled–SITE Galleries Sharp–Chicago 


2019 ON / Being Read–LVL3 Gallery Wicker Park


2019 Flat Earth Film Festival–Herðubreið Theater Seyðisfjörður, Iceland 


2018 Queer Online Spaces–VCR–Chicago
2018 Flat Earth Film Festival–Herðubreið Theater–Seyðisfjörður, Iceland 
2017 Film Essay Showcase–The Observatory–Chicago 
2017 Staging the Film Essay–ACRE TV
Broadcast–Chicago, IL 
2016 ArtBash Alternative Space–Leroy
Neiman Center–Chicago, IL 
2015 Blick Fall 12 x 12 Show–Blick Art
Materials–Chicago, IL 
2015 Art by America: A National Review
of 2-D Contemporary Art Juried Exhibition–Arts on Elston Gallery–Chicago 
2015 West Michigan Regional Art
Show–King Gallery–Lowell, MI 
2014 ArtPrize–The B.O.B.–Grand Rapids,
MI 
2013 West Michigan Drawing &#38;amp;
Printmaking–King Gallery–Lowell, MI 
2013 Congressional Art Show–Cannon
Tunnel–Washington, D.C. Grand Prize Michigan 3rd District


				
			
		
	




	

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		<title>film programming</title>
				
		<link>https://eliseschierbeek.cargo.site/film-programming</link>

		<pubDate>Wed, 21 Aug 2024 21:14:24 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

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		<description>Film &#38;amp; Video Programming

Employees Only Cineclub + The Neu Lithium&#38;nbsp;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/db0a9a15b916d71cbce9e83b5d33f45280dbd960caaf28868f4e8caab6888ab4/8888_cig.jpg" data-mid="247372422" border="0"  src="https://freight.cargo.site/w/1000/i/db0a9a15b916d71cbce9e83b5d33f45280dbd960caaf28868f4e8caab6888ab4/8888_cig.jpg" /&#62;
	88:88 + QUANTITY CINEMA
April 13, 2026 – 7pmFACETS, ChicagoEmployees Only Cineclub Edition 12Join us for a retrospective screening of Isiah Medina’s debut feature 88:88 (2015), a landmark of the contemporary avant-garde, alongside short works by Alexandre Galmard, Kelley Dong, and Isaac Goes of Quantity Cinema. Isiah Medina in attendance.

When one is unable to pay one’s bills, the electricity is cut. Once one can pay again, the digital appliances flash 88:88. While philosophical systems begin with the concept of nothing as a starting point for thinking, Isiah Medina’s film uses “88:88” as a marker of the nothing of poverty and the possibility of counting life anew. Medina’s film cuts together instances in the lives of friends and their experiences in love, science, art, and politics (the four conditions that make up the essence of Philosophy according to French theorist Alain Badiou, whose writings figure prominently into the film via textual recitations) in order to see their lives outside of narrative, and to show thinking is always both possible and necessary. This is a screening intended to celebrate the film’s 10 year anniversary. The director will be in attendance for a post-screening Q&#38;amp;A, on the occasion of his coming to Chicago to premiere his fifth feature, GANGSTERISM (2025), at the Onion City Experimental Film Festival. 

The film will be preceded by a frenetic array of short films—eleven of which will play out in a scant seven minutes—from Alexandre Galmard, Kelley Dong, and Isaac Goes, three filmmakers, friends, and frequent collaborators aligned with Isiah Medina’s production company, Quantity Cinema. These are lithe lashings of style—vaporous and damn-near smoked out forays into digital primitivism and video diary—that orbit the outermost edges of cinema. They will be presented chronologically and continuously. 

“His is instead a cinema of the cut, of difference, of reconsidering every assumption of more than a century’s worth of filmmaking. […] I could say that 88:88 is a masterpiece but masterpieces are a term of the past; Medina has taken his first step into the future.” Phil Coldiron, Cinema Scope Magazine

“I am astounded. We mathematicians or philosophers speak so much about multiplicities, overlapping, ramifications, etc. and it is just beautiful to see all the concepts at work, with admirable visual force. The cuts, continuities, off-voices, silences, the very real superpositions of multiplicities, produce a new opening of our minds and sensibilities.” – Fernando Zalamea, mathematician and philosopher, author of “Synthetic Philosophy of Contemporary Mathematics”

PROGRAM

director of operations (Alexandre Galmard, 2013, 0:59)

x’s of me (Alexandre Galmard, 2013, 1:15)

jeunes ascensions (Alexandre Galmard, 2014, 1:06)

young street (Alexandre Galmard, 2015, 0:40)

red is blue (Alexandre Galmard, 2016, 0:22)

Breaking and Entering (Kelley Dong, 2017, 1:28)

Late Embryo (Kelley Dong, 2017, 0:11)

Via D7 (Alexandre Galmard, 2019, 0:56)

Shooting Star Summer Solstice (Kelley Dong, 2019, 0:18)

Pears (Kelley Dong, 2020, 0:01)
Worlds (Isaac Goes, 2021, 19:14)

Two Dogs (Kelley Dong, 2022, 0:20)
+ 
88:88 (Isiah Medina, 2015, 01:05:00)

Employees Only Cineclub &#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/709fc138fd7dc9a8c28e6f6396d2832d984bc2a4a3c847c7c4dc156403795e01/YBR_IG_1.jpg" data-mid="247372415" border="0"  src="https://freight.cargo.site/w/1000/i/709fc138fd7dc9a8c28e6f6396d2832d984bc2a4a3c847c7c4dc156403795e01/YBR_IG_1.jpg" /&#62;
	YOUR BROTHER. REMEMBER?
Feb 11, 2026 – 7pmFACETS, ChicagoEmployees Only Cineclub Edition 11

Open your heart and let brotherly love wash over you at a wistful double billing of lofi suburban reveries, featuring the U.S. Premiere of Cam Archer’s Their Houses (2011) and Zachary Oberzan’s Your brother. Remember? (2012), two spirited meditations on home movies, passing time, time’s passing, and the bond between two brothers.
An elaborate experiment with the concept of before-and-after photographs, Your brother. Remember? splices and dices home videos, Hollywood film footage, and live performance. As kids in rural Maine, Zachary Oberzan and his older brother Gator loved making home versions of their favorite films, most notably Jean-Claude Van Damme’s karate opus Kickboxer and the notorious cult film Faces of Death. Then twenty years passed. Estranged from his family, Zack returned to his childhood home to re-create these films, shot for shot, as precisely as possible—but now seen through a twenty-year lens of emotional and physical wear and tear. One brother became an actor, and one self-destructed. Which is which? How different are these lives? Could this story have turned out the other way around? Initially conceived as a film experiment, the project morphed into a live multimedia piece which was recorded and ultimately incorporated into the finished film.

Oberzan’s film will be preceded by Their Houses, Cam Archer’s phantasmagorical inquiry into the very notion of the home video, in which the filmmaker limns his suburban cul-de-sac for hidden truths, dreaming pathways into imagined homes, hidden rivers under the streets, the marginalized world of coyotes on the outskirts, and the knotty mythologies of all the beautiful neighbor boys. The two films, both of which are enjoying their Chicago premiere, compliment one another richly in their stark deviations as well as in their uncanny rhymes. Where Oberzan’s film unfurls in snowy Maine, Archer’s is diametrically set in sunny Santa Cruz. The grainy and under-lit VHS recordings of Oberzan’s film wash ashore of Archer’s sun-bleached and psychedelically lurid Hi8 cassette footage. In the most serendipitous turn of all, Cam Archer captures his own pair of teenage brothers who are making art to pass the time, giving them the film’s indelible closing words: “I don’t give a fuck about anyone…except my brother.”
PROGRAM
1. Their Houses (Cam Archer, 2011)2. Your Brother. Remember? (Zachary Oberzan, 2012)

Employees Only Cineclub + UNDERCURRENTS, HIInaugural program 

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	LIGHT IS...
Jan 15, 2026 – 6:30pm3rd Space, HonoluluEmployees Only Cineclub Edition 10Employees Only is excited to take part in critic Emerson Goo’s inaugural screening for the new series UNDERCURRENTS, an intermittently convened film club screening innovative and nonfiction films in Honolulu, launching in 2026. UNDERCURRENTS is concerned with unique perspectives on living in islands, by coasts, in the tropics, from the watery, riverine, marshy parts of our world; films which build solidarity through resistance against and across national and colonially-imposed borders; experiments in form, narrative, and process which expand the possibilities of this thing called "cinema;” education for local filmmakers, including work-in-progress screening opportunities, informal film workshops, and promoting film criticism from Hawai‘i and the wider Pacific.


The all-digital program titled 'LIGHT IS' deals with light, disintegration, and the archival impulse in its most free-wheeling, remixing form. The films comment on a disintegrating existential landscape in relation to the materiality of moving image mediation. Some works take an interventionist approach — data moshing, slow-mo, and the optical reprinting of film decay. These manipulations restage genres, myths, memories, colonial imaginaries, and signification itself.
Kick off UNDERCURRENTS with this program of films linked by themes of light, disintegration, and the archival impulse.&#38;nbsp;PROGRAM
1. Light is Calling (Bill Morrison, 2004)2. Flesh &#38;amp; Ghost&#38;nbsp;(Sky Hopinka, 2025)3. Second Sighted&#38;nbsp;(Deborah Stratman, 2014)4. Songs for Earth and Folk (Cauleen Smith, 2013)
5. Lossless #3 (Rebecca Baron &#38;amp; Douglas Goodwin, 2008)

6. Black Glass&#38;nbsp;(Adam Piron, 2024)
7.&#38;nbsp;Light is Waiting (Michael Robinson, 2007)


Employees Only Cineclub + aemiTouring program curated by Daniel Fitzpatrick


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	THE SAID AND THE UNSAID
Nov 16, 2025 – 6pmChicago FilmmakersEmployees Only Cineclub Edition 9Employees Only is excited to welcome Dublin's aemi to the Midwest for a presentation of their touring program THE SAID AND THE UNSAID on Sunday, November 16 at 6pm with Chicago Filmmakers. aemi co-founder Daniel Fitzpatrick and filmmaker Frank Sweeney will be attendance for Q&#38;amp;A.This eclectic program of work shifts from an act of deliberate and playful obfuscation (Stephanie Barber’s 3 PEONIES) to a process of attempted rediscovery as Jonathan O’Grady attempts to navigate a largely inaccessible heritage site (IN SEARCH OF THE FORENAUGHTS LONGSTONE). Elsewhere Maryam Tafakory’s video essay is an uncovering of media artifacts that speak to both deliberate and discrete forms of articulation in the face of censorship (NAZARBAZI) while Frank Sweeney creates a compelling docudrama out of events surrounding the broadcasting ban (FEW CAN SEE). Collectively these works describe a variety of creative means of expression born out of the necessity to speak, however indirectly.aemi is a Dublin-based initiative that supports and regularly exhibits moving image works by artists and experimental filmmakers.&#38;nbsp;This touring program is supported by Culture Ireland and Arts Council Ireland.PROGRAM1. 3 Peonies (Stephanie Barber, 2017)2. In Search of the Forenaught Longstone (Jonathan O’Grady, 2021)3. Nazarbazi (Maryam Tafakory, 2022)4. Few Can See (Frank Sweeney, 2023)



Employees Only Cineclub
Curated with David Whitehouse
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&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6381877ad4531cee7679f7b963f65a3d379e83b50997d8245c8fbdec31c65b08/GOTHICKING2.png" data-mid="240861206" border="0"  src="https://freight.cargo.site/w/1000/i/6381877ad4531cee7679f7b963f65a3d379e83b50997d8245c8fbdec31c65b08/GOTHICKING2.png" /&#62;

	GOTHIC KING COBRA + SWEET SAL
Sept 28, 2025 – 7pmElastic ArtsEmployees Only Cineclub Edition 8In memory of Joshua Fay Saunders (1991-2025), a.k.a. prolific YouTube personality and metal musician KingCobraJFS, Employees Only hosts a rare in-person screening of the internet documentary cult classic GOTHIC KING COBRA (dir. Joel Patrick a.k.a. trappped, 2014) at Elastic Arts. 
Saunders' cock-sure ramblings about life, death, sex, and drugs while working as a Wendy's employee in Casper, Wyoming are forever iconic. Join us for a night of digital and 16mm. 
The hour-long digital doc will be preceded by the 16mm short SWEET SAL (1979, 25 min) by Tony Buba. A unique counterpoint to GOTHIC KING COBRA, SWEET SAL takes us decades back to visit upon another eccentric rambling man. In this film, a street hustler named Sal Carulli likewise embraces the small stardom of being a doc film subject, mirroring Saunders' arrogant, strange, and existential musings against a backdrop of economic devastation. Apparently, after a 1980 screening of SWEET SAL at the Pittsburgh Filmmakers co-op, Werner Herzog — smitten by the portrait — insisted to Tony Buba: “You must continue to make films, you must go steal if necessary to make films!” 

"Saunders is not simply an eccentric YouTuber; he is a product of Casper, of post-industrial drift, of a culture where music, myth, and media become prosthetics for identity. That’s why later filmmakers and online commentators returned to him not as a person whose eccentric behavior could be exploited to amuse onlookers, but because he embodied the contradictions of performing oneself in public. And so, the film ends up stranger and kinder than its premise might suggest. It never tries to define Saunders, whether that be a hero, a slacker, or a future success. But it shows quietly and stubbornly that he mattered and made a mark on this world. Rest easy, King." – Shaun Huhn, Cine-FileProjectionist: Ben Creech. Film print courtesy of Chicago Filmmakers and the Picture Start Collection. Thank you to Tony Buba, Ben Creech, and Chicago Filmmakers. Thank you also to Michael Metzger and Block Cinema for providing a projector.




Employees Only Cineclub + Tone GlowCurated with Joshua Minsoo Kim&#60;img width="2040" height="2554" width_o="2040" height_o="2554" data-src="https://freight.cargo.site/t/original/i/2e91d09b8cea52a6174c23479bf75b826fc912633b142fe721d31fbee00c3575/DARKCLOWNPOSTER.png" data-mid="236776904" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2e91d09b8cea52a6174c23479bf75b826fc912633b142fe721d31fbee00c3575/DARKCLOWNPOSTER.png" /&#62;
	GRIN AND BEAR IT: CINEMA OF THE DARK CLOWNMay 16, 2025 – 7pmElastic ArtsEmployees Only Cineclub Edition 7Tone Glow &#38;amp; Employees Only present Grin and Bear It: Cinema of the Dark Clown, a multimedia event centered on the figure of the dark clown in experimental moving image. The festivities are broken into three programs: 1) an analog film showcase of works by Jack Smith and Luther Price, 2) videos highlighting the dark comedy of Hester Scheurwater, Ximena Cuevas, Anne McGuire, and Paul &#38;amp; Marlene Kos, and 3) lyrical 16mm films from Jean Sousa, Donna Cameron, and Fred Worden. The evening will also include two live clowning and puppetry performances from local artist Justin D’Acci.
PROGRAM 1 (16mm &#38;amp; Super 8mm)1. Mr. Wonderful (Luther Price, 1988)2. Song For Rent (Jack Smith, 1969)3. Hot Air Specialists (Jack Smith, 1980)4. Clown (Luther Price, 1990-2002)CLOWN PERFORMANCEPROGRAM 2 (Digital)1. Ensayo de un Crimen (Ximena Cuevas, 2005)2. Poster Girl (Hester Scheurwater, 2003)3. I Am Crazy and You’re Not Wrong (Anne McGuire, 1997)4. Sirens (Paul Kos &#38;amp; Marlene Kos, 1977)PUPPET PERFORMANCEPROGRAM 3 (16mm)1. The Circus (Jean Sousa, 1977)2. The Clown (Donna Cameron, 1998)3. Throbs (Fred Worden, 1972)“Throughout the event, the clown is found in conceptual, queer, and feminine forms, in criminality and pranksterism, in metaphorical explorations of the circus’ beauties and sorrows. ‘Grin and Bear It’ will remind us that the dark clown is up for grabs as a multivalent cipher for contemporary alienation, one which sublimates our collective desires for revolution. He is a mythically charged trickster forced to wear a smile while wiping pie off his face. Despite his enduring status as the contemporary avatar of ironic detachment—popularized by the Joker archetype—he is difficult to pin down as a cultural singularity. He’s at once a foil to notions of order and justice, an anarchist driven to the outer reaches of sanity by undying capitalist structures, and a giddy nihilist enlightening us to the many hypocrisies of our cruel world. Ultimately, we keep a distance while admitting to his charms.” — David Whitehouse &#38;amp; Elise SchierbeekJustin D’Acci (b. 1997) is a Chicago-based clown, artist, and puppeteer who experiments with found objects and techniques of automatism. Recent exhibitions include Survey (2025) at Unda.m. 93; Tenebrae (2024) at Weatherproof; Pressure Dome (2023) at SULK; along with a slew of happenings throughout Chicago’s parks. His puppetry has been presented most often for Rough House’s cabaret—Nasty, Brutish &#38;amp; Short—at Link’s Hall, and most recently at the New Orleans Giant Puppet Festival. He holds irregular clown classes for the delirious among ye.
Throughout the event, the clown is found in conceptual, queer, and feminine forms, in criminality and pranksterism, in metaphorical explorations of the circus’ beauties and sorrows. Projectionists: Josh Mabe and Ben Creech. Film prints courtesy of Canyon Cinema and the Filmmakers Coop. Videos courtesy of Video Data Bank.



Employees Only Cineclub + Video Data BankCurated with Ben Russell

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	AGAINST TIME —&#38;nbsp;Time as actual, time as embodied, time in-itself, time as myth, time as perception. Ben Russell in conversatin with Elise Schierbeek and David Whitehouse.&#38;nbsp;

April 8, 2025 – 7pmFACETS Film ForumEmployees Only Cineclub Edition 6Workers Leaving the Factory (Dubai) – (16mm to digital, 2008, 6:37)
Black and White Trypps Number Three – (35mm to digital, 5.1, 2007, 11:30)River Rites – (S16mm to digital, 2011, 11:00)
Atlantis – (S16mm to digital, 2014, 23:33)
Against Time – (S16mm to digital, 5.1, 2022, 23:00)


Onion City Experimental Film Festival (Chicago Filmmakers)Curated with Nicky Ni
&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/4bd351d1f412866ff22c51e98688b24d29d9fbe2053f4dbd84f82bc92e40b3ce/03_VIVIDDETAIL.jpg" data-mid="236971375" border="0"  src="https://freight.cargo.site/w/1000/i/4bd351d1f412866ff22c51e98688b24d29d9fbe2053f4dbd84f82bc92e40b3ce/03_VIVIDDETAIL.jpg" /&#62;
&#60;img width="4500" height="5625" width_o="4500" height_o="5625" data-src="https://freight.cargo.site/t/original/i/c59187e3bc0eabb0359a82f9460adf76d52b5124b2e4cd781d98012591765c39/GUNA-poster-1350x1080.png" data-mid="236971377" border="0"  src="https://freight.cargo.site/w/1000/i/c59187e3bc0eabb0359a82f9460adf76d52b5124b2e4cd781d98012591765c39/GUNA-poster-1350x1080.png" /&#62;
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&#60;img width="2506" height="3064" width_o="2506" height_o="3064" data-src="https://freight.cargo.site/t/original/i/4b86003120495a1f678b05ca7eca05e077c46adfa9516499c0f1a539b8bc4c06/MWAMC-poster-final.jpg" data-mid="236971379" border="0"  src="https://freight.cargo.site/w/1000/i/4b86003120495a1f678b05ca7eca05e077c46adfa9516499c0f1a539b8bc4c06/MWAMC-poster-final.jpg" /&#62;

	The 35th edition of Onion City Experimental Film Festival, offering four days of competition programs and special events, including expanded cinema and feature length showcases. Onion City is one of the premiere international festivals exclusively devoted to experimental film and video. Onion City is presented by Chicago Filmmakers, celebrating over 50 years championing underground, experimental, and radical film. Over 40 selected films were presented in six thematic competition screenings, along with six special events premiering work by Chicago filmmakers, screening rare and restored prints, and showcasing moving images in expanded formats. Learn more about the programs at https://www.onioncityfilmfest.org/.

︎&#38;nbsp; &#38;nbsp;︎ &#38;nbsp; ︎&#38;nbsp; &#38;nbsp; ︎
 April 3-6, 2025&#38;nbsp;
Chicago Filmmakers



Employees Only CineclubCurated with Esteban Alarcón + Andrea Florens
&#60;img width="540" height="540" width_o="540" height_o="540" data-src="https://freight.cargo.site/t/original/i/7fa8e031e1bef2ef887a6f09421130fd5f3c5240a886d0884ffea350dd59ba0e/IMG_0362.jpg" data-mid="223638728" border="0" data-scale="100" src="https://freight.cargo.site/w/540/i/7fa8e031e1bef2ef887a6f09421130fd5f3c5240a886d0884ffea350dd59ba0e/IMG_0362.jpg" /&#62;
	SPECIES BEING,&#38;nbsp;featuring experimental works by Mary Helena Clark + Mike Gibisser, Jesse Malmed + ONO, and Dana Dawud. The program focuses on the ways in which capitalism inscribes worlds and futures for living beings through codes, patents, myths, and other syntaxes. December 7 at 7pm, Sweet Void Cinema in Humboldt Park, followed by Q&#38;amp;A with Mike Gibisser and Jesse Malmed.&#38;nbsp;December 7, 2024 – 7pmSweet Void CinemaEmployees Only Cineclub Edition 5



Noah’s Ark – Dana Dawud (2024, 8 min)
WHIRRED, WHIRLED – Jesse Malmed + ONO (2015, 7 min) 
A Common Sequence –&#38;nbsp;Mary Helena Clark + Mike Gibisser (2023, 78 min)&#38;nbsp;TRT 93 min




Peripheries Experimental Film &#38;amp; Video Festival 2024Guest Curator
	&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9e6b978f7b060022b0d9283abaf3fb2c827ed9a4828e6093f8a7b43208662d3a/CLOUDWARDS_POSTER.jpg" data-mid="216756930" border="0"  src="https://freight.cargo.site/w/1000/i/9e6b978f7b060022b0d9283abaf3fb2c827ed9a4828e6093f8a7b43208662d3a/CLOUDWARDS_POSTER.jpg" /&#62;
	
Cloudwards: Waiting is a Dreaming ascends through various spaces of anticipation—pauses between strikes of lightning, a bus full of passengers nodding off, city alcoves in a downpour, reality TV elimination rounds, or the instructional stage of an indoor skydiving facility. Each work dreams in such spaces, steadfastly aspiring toward flight, progress, inflation, chance encounter, the taste of winning, dry ground, or a truer sleep. Documentarian sensibilities intermingle with found footage free-form experimentation and infrared interludes. By way of bats and pilots, rockets and space dogs, earthquakes and birds, the works of this program always tilt cloudwards. (1976-2024, 46 mins, Digital Projection.)September 29, 2024 – 7pmSweet Void CinemaPeripheries Experimental Film &#38;amp; Video Festival 2024

Laika – Deborah Stratman (2021, 4:33 min)
Helianthus Corner Blues – Jem Cohen (2013, 2:48 min) 
Lightning – Paul &#38;amp; Marlene Kos (1976, 1:23 min) 
ADARNA – Don Josephus Raphael Eblahan (2017, 1:00 min)
ROCKET – Katharina Bayer (2024, 5:00 min)
Somewhere only we know – Jesse McLean (2009, 5:15 min) 
All Days Make Their End – Julian Flavin (2023, 13:30 min) 
Life Without Dreams – Jessica Bardsley (2022, 13:30 min)



	&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/3b7ef5f044e3c502e9351e3a7af2ec5ef6e18cfaed851858e690a6b2d6cc72ae/MEMORYDRUM_POSTER.jpg" data-mid="216756943" border="0"  src="https://freight.cargo.site/w/1000/i/3b7ef5f044e3c502e9351e3a7af2ec5ef6e18cfaed851858e690a6b2d6cc72ae/MEMORYDRUM_POSTER.jpg" /&#62;
	
Memory Drum brings together memory, water, and family on 16mm film with a percussive throughline. The works of this program are elemental yet figurative, exploring kaleidoscopic relationships between parent and child, distortion and fidelity, rhythm and stillness. Leighton Pierce’s Glass (1998) initiates the program with an impressionistic tableau of children in the backyard through a glass menagerie of lens manipulation. Alee Peoples’ Hey Sweet Pea (2023) stages fanciful recitations that sweep us into a strange, hollowed-out nostalgia of sci-fi scripts and mama’s old voicemails in the LA suburbs. Carl Elsaesser’s How to Run a Trotline (2024) holds the drumline as the program’s luminous cornerstone, a spirited reflection on paternal tethers, both filmic and genealogical, that fishes for something alive and kicking in each of its brimming images. O Banho (The Bath)&#38;nbsp;(2022) is Maria Inês Gonçalves’ turn to the phenomenology of water as filtered through childhood memories of bathing. As if beckoning us through amniotic fluid, toy boats and stuffed animals dunk and bob like repressed things, water goes where it shouldn’t go, and in the tumult we catch sight of Winnie the Pooh’s Heffalumps galloping through the ether, having long forgotten how they haunted us so. (1998-2024, 55 mins, 16mm Film and Digital Projection.)
September 29, 2024 – 5:30pmSweet Void Cinema, Projected by Ben Creech

Peripheries Experimental Film &#38;amp; Video Festival 2024

Glass – Leighton Pierce (1998, US, 16mm film, 7:00 min)

Hey Sweet Pea – Alee Peoples (2023, US, 16mm film, 11:11 min) 
How to Run a Trotline – Carl Elsaesser (2024, US, 16mm film to digital, 18:10 min) 
O Banho (The Bath) – Maria Inês Gonçalves (2022, Portugal/Spain, 16mm and 8mm to digital, 8:00 min)




	Comfort Film
Guest Curator
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/68334cc5855885fb973670dc61fdb868f836c2f8d19db4ed59bc7fdb88c3abe1/julyIG.jpg" data-mid="216757021" border="0"  src="https://freight.cargo.site/w/1000/i/68334cc5855885fb973670dc61fdb868f836c2f8d19db4ed59bc7fdb88c3abe1/julyIG.jpg" /&#62;
	Miranda July's Me and You and Everyone We Know (2005) at Comfort Station alongside shorts by video artist Shana Moulton. Log into new age everyday animism, good old human connection and/or lack thereof.
 April 10, 2024 – 8pm
Comfort StationWhispering Pines 5&#38;nbsp;– Shana Moulton (2005)MindPlace ThoughtStream – Shana Moulton&#38;nbsp;(2014)
Me and You and Everyone We Know – Miranda July (2005) 




	
	
	

	
	



	
	

	
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		<title>marketing + design</title>
				
		<link>https://eliseschierbeek.cargo.site/marketing-design</link>

		<pubDate>Mon, 18 Jul 2022 23:48:56 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/marketing-design</guid>

		<description>Marketing + Design Projects
Video Data BankRoundabout Film Series, 2023- 2025Oversaw marketing and media production for a semi-annual film screening series at the Gene Siskel Film Center. Designed a custom logo for the series.&#38;nbsp;
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&#60;img width="3404" height="5204" width_o="3404" height_o="5204" data-src="https://freight.cargo.site/t/original/i/42ab8b90b5acc070a8f8f3eb456c1cd152bd8abdc958088fa64a28a56ae4e346/RoundaboutFlyer.png" data-mid="236776172" border="0"  src="https://freight.cargo.site/w/1000/i/42ab8b90b5acc070a8f8f3eb456c1cd152bd8abdc958088fa64a28a56ae4e346/RoundaboutFlyer.png" /&#62;

	


&#60;img width="1280" height="496" width_o="1280" height_o="496" data-src="https://freight.cargo.site/t/original/i/0205edd8c1118f43ebd9e59863f5e73321b6916fa3a7668a21263551c24d5573/VDB_RoundaboutLogo_Medium.png" data-mid="236776162" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/0205edd8c1118f43ebd9e59863f5e73321b6916fa3a7668a21263551c24d5573/VDB_RoundaboutLogo_Medium.png" /&#62;In 2023, VDB began the ongoing screening series Roundabout in which VDB invites fellow moving image archives and distributors to collaborate on a conversational program of short experimental works with a prompt to respond to a selection of works from VDB's collection with a selection from their own. Roundabout editions have included Electronic Arts Intermix, Image Forum Japan, Light Cone Paris, and Videobrasil.
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&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d6c7c223ba3737cf15f3564fbad9b26953537065eeb44768d9f702ccfb20d0ef/RoundaboutIG-EAI.png" data-mid="236776175" border="0"  src="https://freight.cargo.site/w/1000/i/d6c7c223ba3737cf15f3564fbad9b26953537065eeb44768d9f702ccfb20d0ef/RoundaboutIG-EAI.png" /&#62;
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	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/48c49dc57cd94f3d29ae5387e5c0fa6852453f43125fd15e832b37b6b8af5835/RoundaboutIG-VBrasil2-2.png" data-mid="236776161" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/48c49dc57cd94f3d29ae5387e5c0fa6852453f43125fd15e832b37b6b8af5835/RoundaboutIG-VBrasil2-2.png" /&#62;
Video Data BankGeneral promotional materials, 2022- 2025Designed and curated all social media content for Video Data Bank in accordance with brand templates and freedom to iterate throughout.&#38;nbsp; &#38;nbsp;
︎&#38;nbsp; &#38;nbsp;︎ &#38;nbsp;
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Video Data BankCan You Move Like This: Black Fire Compilation Blu-ray and DVD design, 2024&#38;nbsp;
Designed covers, inserts, disks, and promotional material for the release of a special curation of works by filmmakers Kevin Jerome Everson and Claudrena N. Harold.&#38;nbsp;https://www.vdb.org/titles/can-you-move-black-fire
	&#60;img width="1677" height="1069" width_o="1677" height_o="1069" data-src="https://freight.cargo.site/t/original/i/08e7ccf119feadf00dab036bed15de7e12be22c2bc910c91c19d321af1da803a/BlackFireSpin.jpg" data-mid="236776244" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/08e7ccf119feadf00dab036bed15de7e12be22c2bc910c91c19d321af1da803a/BlackFireSpin.jpg" /&#62;
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	&#60;img width="2704" height="1544" width_o="2704" height_o="1544" data-src="https://freight.cargo.site/t/original/i/d01008afa00f0cae493c566803f2815d6cd7100dccba8c30b15653f394d02de9/Screenshot-2025-08-06-at-6.12.10PM.png" data-mid="236776249" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d01008afa00f0cae493c566803f2815d6cd7100dccba8c30b15653f394d02de9/Screenshot-2025-08-06-at-6.12.10PM.png" /&#62;Can You Move Like This: Black Fire films by Kevin Jerome Everson and Claudrena N. Harold consists of eleven short form works produced&#38;nbsp;between 2013-2023: Sugarcoated Arsenic, Foosball: U. of Virginia Charlottesville, VA 1976, We Demand, Fastest Man in the State, 70kg, How Can I Ever Be Late, Black Bus Stop, Hampton, Pride, Gospel Hill, and Accidental Athlete. Though individually distinct in their formal qualities and thematic focus, these films reflect Everson’s and Harold’s deep interest in the interiority of Black life, particularly those formal and informal spaces where African Americans communed, hobnobbed, prayed, loved, quarreled, reconciled, and moved on. Within these communal spaces, which range from the college dormitory to the local bar, the directors engage the epic and the quotidian, the sacred and the profane, the individual and the collective.




	



Chicago FilmmakersOnion City Experimental Film Festival, 2025
Oversaw social media, produced six thematic trailers, and commissioned the main festival trailer. Designed program posters and social media content, ensuring brand consistency with main poster assets by graphic designer Riesling Dong. &#38;nbsp;︎&#38;nbsp; &#38;nbsp;︎ &#38;nbsp; ︎&#38;nbsp; &#38;nbsp;&#38;nbsp;︎
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	Employees Only cineclubPoster artwork and trailers for film screenings, 2025

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	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/5426edf2f7f629a37fa9023734783541965d0d67596aec643b1f3cf291c581b2/aemi4.jpg" data-mid="241091368" border="0"  src="https://freight.cargo.site/w/1000/i/5426edf2f7f629a37fa9023734783541965d0d67596aec643b1f3cf291c581b2/aemi4.jpg" /&#62;&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/9ea7cfb3b17025c4ee8a215b55ee1649bcf28870dd20c5c8bbf660c9fb715142/GOTHICKING.png" data-mid="241091370" border="0"  src="https://freight.cargo.site/w/1000/i/9ea7cfb3b17025c4ee8a215b55ee1649bcf28870dd20c5c8bbf660c9fb715142/GOTHICKING.png" /&#62;
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/cbce861c56c0c1fa399d9c6233f8e06f6520d06eee9c22d77849f4b0e32c813e/GOTHICKING2.png" data-mid="241091371" border="0"  src="https://freight.cargo.site/w/1000/i/cbce861c56c0c1fa399d9c6233f8e06f6520d06eee9c22d77849f4b0e32c813e/GOTHICKING2.png" /&#62;
	&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/af1efa2086d99cc13cd00d760f6690faf162914f9bf3dc6210b45f550dca98f6/GOTHICKING3.png" data-mid="241091372" border="0"  src="https://freight.cargo.site/w/1000/i/af1efa2086d99cc13cd00d760f6690faf162914f9bf3dc6210b45f550dca98f6/GOTHICKING3.png" /&#62;
	
	Peripheries Experimental Film &#38;amp; Video Festival&#38;nbsp;
Poster artwork and trailers for film screenings, 2024

	&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/e3ea0f55730987cb531b084b95a059192bf444362ae35f224698a822082b1e3d/CLOUDWARDS_POSTER.jpg" data-mid="236881585" border="0"  src="https://freight.cargo.site/w/1000/i/e3ea0f55730987cb531b084b95a059192bf444362ae35f224698a822082b1e3d/CLOUDWARDS_POSTER.jpg" /&#62;
	&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/aa4a09b9806b1e151d89139d7fe8107058230ad29ce42692de39308b185767e9/MEMORYDRUM_POSTER.jpg" data-mid="236881586" border="0"  src="https://freight.cargo.site/w/1000/i/aa4a09b9806b1e151d89139d7fe8107058230ad29ce42692de39308b185767e9/MEMORYDRUM_POSTER.jpg" /&#62;

	
	


	
	Careerist (band)Weird Hill album artwork, 2019
Designed full vinyl record artwork for Belfast, Northern Ireland art rock trio “Careerist.”&#38;nbsp;
︎ bandcamp&#38;nbsp;︎ facebook



	&#60;img width="2400" height="1700" width_o="2400" height_o="1700" data-src="https://freight.cargo.site/t/original/i/789a91c59a13a3662625e20e6a21d5ca4dc5b416d7a5211de27982c3362571dd/careerist-front-mockup_withINSERT.jpeg" data-mid="148176002" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/789a91c59a13a3662625e20e6a21d5ca4dc5b416d7a5211de27982c3362571dd/careerist-front-mockup_withINSERT.jpeg" /&#62;

	“Weird Hill‘s nine tracks manage to slink through any number of influences and curveballs without losing coherence, clocking in at just under a half-hour. The wry smirk of Pavement can be glanced through buoyant, Deerhunter-sized melodies&#38;nbsp;and slaloming Spaghetti Western&#38;nbsp;guitar work,&#38;nbsp;while the trio’s distinct, jerking sense of otherness remains consistent throughout.

The LP was recorded &#38;amp; produced by Robocobra Quartet’s Chris Ryan, who does justice to the band’s reputation as one of Ireland’s tightest, most sonically sculpted acts. It’s out through Pizza Pizza Records.”
– Stevie Lennox, The Thin Air

	
&#60;img width="3720" height="3685" width_o="3720" height_o="3685" data-src="https://freight.cargo.site/t/original/i/c90a83359a149b6b26413b96fbf6cf28be2ac3fc07ac06f0120140b2d5747c47/Careerist_Back.jpg" data-mid="148176364" border="0"  src="https://freight.cargo.site/w/1000/i/c90a83359a149b6b26413b96fbf6cf28be2ac3fc07ac06f0120140b2d5747c47/Careerist_Back.jpg" /&#62;
&#60;img width="3600" height="3600" width_o="3600" height_o="3600" data-src="https://freight.cargo.site/t/original/i/5fab9ea15d67f7cb1ab217d460d622b1ec1c2f1199435fec7b248dccab11acf6/Careerist_Cover.jpg" data-mid="148269268" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/5fab9ea15d67f7cb1ab217d460d622b1ec1c2f1199435fec7b248dccab11acf6/Careerist_Cover.jpg" /&#62;

	
&#60;img width="1291" height="1289" width_o="1291" height_o="1289" data-src="https://freight.cargo.site/t/original/i/bd2464396a8690862c08af1abeebfef8843c28275e4ddb0738b6b1f8866d9f68/Screen-Shot-2022-07-18-at-7.05.19-PM.png" data-mid="148176490" border="0"  src="https://freight.cargo.site/w/1000/i/bd2464396a8690862c08af1abeebfef8843c28275e4ddb0738b6b1f8866d9f68/Screen-Shot-2022-07-18-at-7.05.19-PM.png" /&#62;
&#60;img width="1352" height="1360" width_o="1352" height_o="1360" data-src="https://freight.cargo.site/t/original/i/f45b7c95978e3a5c984b7afd5e37d64a09ad95645b9dab29f07b1efd603c9d47/Screen-Shot-2022-07-18-at-7.04.35-PM.png" data-mid="148176489" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/f45b7c95978e3a5c984b7afd5e37d64a09ad95645b9dab29f07b1efd603c9d47/Screen-Shot-2022-07-18-at-7.04.35-PM.png" /&#62;



Careerist poster designs and merchandise, 2019




	
&#60;img width="2400" height="3300" width_o="2400" height_o="3300" data-src="https://freight.cargo.site/t/original/i/7245363a06b1c76d12e29aa428493efa4f954b26679e53ed40a73df0802635cd/CareeristPoster.jpg" data-mid="148176699" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/7245363a06b1c76d12e29aa428493efa4f954b26679e53ed40a73df0802635cd/CareeristPoster.jpg" /&#62;

	&#60;img width="2400" height="3300" width_o="2400" height_o="3300" data-src="https://freight.cargo.site/t/original/i/7e1449aa42f78cf6400db50a44cc62bf07afd9b9f1a7a57d0f50408c3ad97257/DublinPoster.jpg" data-mid="148176700" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/7e1449aa42f78cf6400db50a44cc62bf07afd9b9f1a7a57d0f50408c3ad97257/DublinPoster.jpg" /&#62;



	&#60;img width="2400" height="3300" width_o="2400" height_o="3300" data-src="https://freight.cargo.site/t/original/i/928efa9745e2fbc12304e28cf42a775308c31573f257fb9e1ec30ef19fc6b60c/CareeristLaunch.jpg" data-mid="148176698" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/928efa9745e2fbc12304e28cf42a775308c31573f257fb9e1ec30ef19fc6b60c/CareeristLaunch.jpg" /&#62;
&#60;img width="3600" height="4800" width_o="3600" height_o="4800" data-src="https://freight.cargo.site/t/original/i/313dd3bd8ded62588675b04640617e6cb9c852b853b3bed126cf3a5b735da9b9/Spring2019Poster.jpg" data-mid="148176916" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/313dd3bd8ded62588675b04640617e6cb9c852b853b3bed126cf3a5b735da9b9/Spring2019Poster.jpg" /&#62;
	&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/cb671e8fea1f5e698cf93ae8157c5a9f79575ace8a897f2443f097b2768a5a72/sweatshirt-1.jpeg" data-mid="148176766" border="0" data-scale="78" src="https://freight.cargo.site/w/768/i/cb671e8fea1f5e698cf93ae8157c5a9f79575ace8a897f2443f097b2768a5a72/sweatshirt-1.jpeg" /&#62;

	&#60;img width="3600" height="3600" width_o="3600" height_o="3600" data-src="https://freight.cargo.site/t/original/i/01e278712425c4d910e164cc1ce2e857daa2668e1a5464e57dbf28e221c2ff4f/WeirdHillEmbroidery.jpg" data-mid="148176798" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/01e278712425c4d910e164cc1ce2e857daa2668e1a5464e57dbf28e221c2ff4f/WeirdHillEmbroidery.jpg" /&#62;


Careerist “Slasher” music video, 2019

Director: Hannah SchierbeekProducer: Elise SchierbeekCinematographer, Editing, VFX &#38;amp; Color : Don Josephus Raphael Eblahan

	
&#60;img width="2554" height="1434" width_o="2554" height_o="1434" data-src="https://freight.cargo.site/t/original/i/b41ee18aad90793cea5626b7381981be250dc245dceacd135d17037886e98c9c/Screen-Shot-2022-07-18-at-7.40.00-PM.png" data-mid="148178174" border="0"  src="https://freight.cargo.site/w/1000/i/b41ee18aad90793cea5626b7381981be250dc245dceacd135d17037886e98c9c/Screen-Shot-2022-07-18-at-7.40.00-PM.png" /&#62;
&#60;img width="2549" height="1434" width_o="2549" height_o="1434" data-src="https://freight.cargo.site/t/original/i/ee0d42af3d12fa4b871ee0ef3c153a96b50c70ddd9bce2d320db9ea7124b1138/Screen-Shot-2022-07-18-at-7.42.09-PM.png" data-mid="148178176" border="0"  src="https://freight.cargo.site/w/1000/i/ee0d42af3d12fa4b871ee0ef3c153a96b50c70ddd9bce2d320db9ea7124b1138/Screen-Shot-2022-07-18-at-7.42.09-PM.png" /&#62;
&#60;img width="2558" height="1438" width_o="2558" height_o="1438" data-src="https://freight.cargo.site/t/original/i/e437d2ae28641496c48237ae5131ba0cb1da4c9577358f0dc977d670f50c763e/Screen-Shot-2022-07-18-at-7.43.13-PM.png" data-mid="148178177" border="0"  src="https://freight.cargo.site/w/1000/i/e437d2ae28641496c48237ae5131ba0cb1da4c9577358f0dc977d670f50c763e/Screen-Shot-2022-07-18-at-7.43.13-PM.png" /&#62;
&#60;img width="2555" height="1436" width_o="2555" height_o="1436" data-src="https://freight.cargo.site/t/original/i/a39bab2154397b6074fc5970b7e4950e43c7cdf4a72cd039b71b2f1e1f77c073/Screen-Shot-2022-07-18-at-7.40.35-PM.png" data-mid="148178221" border="0"  src="https://freight.cargo.site/w/1000/i/a39bab2154397b6074fc5970b7e4950e43c7cdf4a72cd039b71b2f1e1f77c073/Screen-Shot-2022-07-18-at-7.40.35-PM.png" /&#62;

︎ Viewing Link
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/87765816554d199a7f4e1b2761c29350c137d3a7d38ef0cba0c23c3a9230571d/CareeristSlasher1.jpeg" data-mid="148178239" border="0"  src="https://freight.cargo.site/w/1000/i/87765816554d199a7f4e1b2761c29350c137d3a7d38ef0cba0c23c3a9230571d/CareeristSlasher1.jpeg" /&#62;
	&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/b2c970458923b7702aa893a9001679ed023c66c5e0c189a041e017528e2be284/CareeristSlasher2.jpeg" data-mid="148178240" border="0"  src="https://freight.cargo.site/w/1000/i/b2c970458923b7702aa893a9001679ed023c66c5e0c189a041e017528e2be284/CareeristSlasher2.jpeg" /&#62;
	&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f70b306cdb6cf6d2cb60a03c36ade67b92d856389362c1d36f553711b501b43d/CareeristSlasher3.jpeg" data-mid="148178242" border="0"  src="https://freight.cargo.site/w/1000/i/f70b306cdb6cf6d2cb60a03c36ade67b92d856389362c1d36f553711b501b43d/CareeristSlasher3.jpeg" /&#62;
Production stills and promo by Don Josephus Raphael Eblahan&#38;nbsp;

	Careerist EPs and singles artwork, 2013 - 2020



	&#60;img width="3600" height="3600" width_o="3600" height_o="3600" data-src="https://freight.cargo.site/t/original/i/70381dccd2b0a733756b073813ac21d64a814e016601c2bc67b0648b35a1cb28/NegativeOne.jpg" data-mid="148176908" border="0"  src="https://freight.cargo.site/w/1000/i/70381dccd2b0a733756b073813ac21d64a814e016601c2bc67b0648b35a1cb28/NegativeOne.jpg" /&#62;
Negative One Single 2019
	&#60;img width="3600" height="3600" width_o="3600" height_o="3600" data-src="https://freight.cargo.site/t/original/i/c2b8ba3dbb1c7bdf904ddc8c344e4b39cf20904a45a434fd988f40b5a1874ace/SpeedDatingCareerist.jpg" data-mid="148176972" border="0"  src="https://freight.cargo.site/w/1000/i/c2b8ba3dbb1c7bdf904ddc8c344e4b39cf20904a45a434fd988f40b5a1874ace/SpeedDatingCareerist.jpg" /&#62;
Speed Dating EP 2018 ︎ bandcamp

	&#60;img width="2100" height="2100" width_o="2100" height_o="2100" data-src="https://freight.cargo.site/t/original/i/9bacca7b249f5c5e1e7bf7374e51980d13f73d860080ac5e15afb44fd692c8e0/PassiveFinal.jpg" data-mid="148176932" border="0"  src="https://freight.cargo.site/w/1000/i/9bacca7b249f5c5e1e7bf7374e51980d13f73d860080ac5e15afb44fd692c8e0/PassiveFinal.jpg" /&#62;Passive-passive EP 2016
	&#60;img width="2100" height="2100" width_o="2100" height_o="2100" data-src="https://freight.cargo.site/t/original/i/680be6e8b39d900eba9a80ed104cc17a584046640cf781590c5bf0e29691e5df/Dumbo.jpg" data-mid="148176907" border="0"  src="https://freight.cargo.site/w/1000/i/680be6e8b39d900eba9a80ed104cc17a584046640cf781590c5bf0e29691e5df/Dumbo.jpg" /&#62;Dumbbo single 2016






“Idle Time” visual essay, 2017
28 pages. An essay on sleep and stillness as they relate to contemporary art and politics.


	&#60;img width="892" height="1187" width_o="892" height_o="1187" data-src="https://freight.cargo.site/t/original/i/ceb6cd4e5638f1c37d379b33f944fda0eb03dc9b26f38d5d4b5beace77a90201/Screen-Shot-2022-07-18-at-7.53.57-PM.png" data-mid="148179211" border="0"  src="https://freight.cargo.site/w/892/i/ceb6cd4e5638f1c37d379b33f944fda0eb03dc9b26f38d5d4b5beace77a90201/Screen-Shot-2022-07-18-at-7.53.57-PM.png" /&#62;
	&#60;img width="891" height="1187" width_o="891" height_o="1187" data-src="https://freight.cargo.site/t/original/i/4efb3ecf5ddb3b92c3f14866e94190d29c8ac9c335aa5a59a9386e3673667301/Screen-Shot-2022-07-18-at-7.59.41-PM.png" data-mid="148179214" border="0"  src="https://freight.cargo.site/w/891/i/4efb3ecf5ddb3b92c3f14866e94190d29c8ac9c335aa5a59a9386e3673667301/Screen-Shot-2022-07-18-at-7.59.41-PM.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>digital projects</title>
				
		<link>https://eliseschierbeek.cargo.site/digital-projects</link>

		<pubDate>Wed, 06 Aug 2025 21:21:48 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/digital-projects</guid>

		<description>Digital Projects Portfolio
Video Data BankEducational Streaming Platform
UX and theme designer, software developer liaison, and media manager for the conceptualization and launch of a bespoke educational streaming platform. Produced and edited the overview video below, as well as all marketing collateral and communications.&#60;img width="1200" height="668" width_o="1200" height_o="668" data-src="https://freight.cargo.site/t/original/i/97bf26ed75079d2fb0c868a60ffb9cdad02d111d36a7be82ac7f248402df9916/Streaming-Announcement.jpg" data-mid="236775513" border="0"  src="https://freight.cargo.site/w/1000/i/97bf26ed75079d2fb0c868a60ffb9cdad02d111d36a7be82ac7f248402df9916/Streaming-Announcement.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5bd144a9bfe831aaeb149a1baa19fe209c07819c368f76313fce2e8ba2fb13c4/9.png" data-mid="236775815" border="0"  src="https://freight.cargo.site/w/1000/i/5bd144a9bfe831aaeb149a1baa19fe209c07819c368f76313fce2e8ba2fb13c4/9.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c65f7a884f006063ec1e23423de1edbca3c53c697fa282d33d33d5546d16acce/6.png" data-mid="236775813" border="0"  src="https://freight.cargo.site/w/1000/i/c65f7a884f006063ec1e23423de1edbca3c53c697fa282d33d33d5546d16acce/6.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/21f7e01ca35d2bf96a77c2afdc0fe7f7d32a7d9455211dc356022a9c80386623/14.png" data-mid="236775817" border="0"  src="https://freight.cargo.site/w/1000/i/21f7e01ca35d2bf96a77c2afdc0fe7f7d32a7d9455211dc356022a9c80386623/14.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dfd1c074d6110f963017073859293c58263db046bf8da427a24171090b7eaed6/12.png" data-mid="236775816" border="0"  src="https://freight.cargo.site/w/1000/i/dfd1c074d6110f963017073859293c58263db046bf8da427a24171090b7eaed6/12.png" /&#62;

	
For the first time, VDB’s vast collections of video art, experimental film, documentaries, and artist interviews are available to stream on a subscription basis from a new, bespoke platform for higher educational institutions around the world. Launched in 2024, Video Data Bank's Educational Streaming Platform offers licenses for individual titles and curated compilations, as well as subscription access to large portions of the VDB collection, up to 2500+ titles. The streaming platform uses Single Sign-On (SSO) technology via identity provider (IdP) or OpenAthens, as well as IP range recognition, to integrate the service with institutional credentials for seamless access on and off campus. The platform provides an ever-growing set of MARC records and caption files for each VDB title. The site is mobile-friendly with an adaptive video player.&#38;nbsp;


	

Video Data Bank
VDB TV Streaming Program
Media manager, copywriter, and occasional curatorial lead for a free monthly streaming series.&#38;nbsp;
	&#60;img width="2108" height="3016" width_o="2108" height_o="3016" data-src="https://freight.cargo.site/t/original/i/27c2ad3709b9c5c9dbba6311ed37aaeaa21a4b541d3f59180a66bcefa430199e/Screenshot-2025-08-06-at-3.19.28PM.png" data-mid="236775385" border="0"  src="https://freight.cargo.site/w/1000/i/27c2ad3709b9c5c9dbba6311ed37aaeaa21a4b541d3f59180a66bcefa430199e/Screenshot-2025-08-06-at-3.19.28PM.png" /&#62;
	&#60;img width="1200" height="668" width_o="1200" height_o="668" data-src="https://freight.cargo.site/t/original/i/90cabd3b7cfb9b7126f0cffad669e52140745ce898361514db062d35f6ad4434/VDB_TV_DogDays.png" data-mid="236775402" border="0"  src="https://freight.cargo.site/w/1000/i/90cabd3b7cfb9b7126f0cffad669e52140745ce898361514db062d35f6ad4434/VDB_TV_DogDays.png" /&#62;

Launched in 2015, VDB TV is an innovative digital distribution project which provides free, online streaming access to curated programs of video and media art.
Sourced from the historically significant archives of the Video Data Bank, VDB TV includes work from early video pioneers active in the 1960s and 70s, through to emerging contemporary artists. VDB TV offers viewers across the United States and beyond access to rare video art, the opportunity to engage with programs conceived by a wide range of curators, and original writing, all while ensuring that artists are compensated for their work.



	


	

	
	
Video Data BankOn Art and Artists Interview Series
Hosted and produced an ongoing oral history video project begun in the 1970s, comprised of long-form interviews with renowned artists and scholars. Operated camera, sound, lighting, and oversaw digital editing.&#38;nbsp;


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1a96aff333b94bbca5c32ca46db308610615cb95d30a472951b86bf3f0fa43e8/SUBRIN3.png" data-mid="243269797" border="0"  src="https://freight.cargo.site/w/1000/i/1a96aff333b94bbca5c32ca46db308610615cb95d30a472951b86bf3f0fa43e8/SUBRIN3.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4a0cbde909aa3a5b279919240ccc3fc958f94efbac735537386661e23f40fc6e/MADSEN2.png" data-mid="243269799" border="0"  src="https://freight.cargo.site/w/1000/i/4a0cbde909aa3a5b279919240ccc3fc958f94efbac735537386661e23f40fc6e/MADSEN2.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2ad80905fc6229ade0a49ea746a628dccf601a13e32fb0a5ec0ffd96fd8baead/RICH1.png" data-mid="243269800" border="0"  src="https://freight.cargo.site/w/1000/i/2ad80905fc6229ade0a49ea746a628dccf601a13e32fb0a5ec0ffd96fd8baead/RICH1.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9cd0a312147867e5ffc48710e5e8b8688f6d925bce61cb5206140ba0adff7d35/EVERSON2.png" data-mid="243269801" border="0"  src="https://freight.cargo.site/w/1000/i/9cd0a312147867e5ffc48710e5e8b8688f6d925bce61cb5206140ba0adff7d35/EVERSON2.png" /&#62;

	On Art and Artists is a unique collection of interviews and portraits of artists, musicians, performers, architects, theorists, and critics, spanning 1970 to the present. The OAA collection represents five decades of producing and acquiring interviews by the Video Data Bank, and features more than 400 available titles, of which at least half are interviews produced by the Video Data Bank and its co-founders Lyn Blumenthal and Kate Horsfield. The&#38;nbsp;collection has grown into an archive of considerable cultural and historical significance, comprised of interviews and portraits of some of the most noteworthy contemporary practitioners and thinkers from the U.S. and beyond. Originally conceptualized as a tool by which to provide art students with insight into their chosen creative fields, and the methodologies and processes available to them, the OAA collection now stands as a compelling testimony for wider audiences as to what it means to be an artist.


From Abramović to Wodiczko, the On Art and Artists collection offers those interested in art history, contemporary practices and education a rare and rewarding study guide, offering insight into the lives, practices and methodologies of some of the most vital practitioners of our time. 




	
	
	

	
	



	
	

	
</description>
		
	</item>
		
		
	<item>
		<title>art practice</title>
				
		<link>https://eliseschierbeek.cargo.site/art-practice</link>

		<pubDate>Sat, 09 Jul 2022 23:03:59 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/art-practice</guid>

		<description>




	&#60;img width="800" height="648" width_o="800" height_o="648" data-src="https://freight.cargo.site/t/original/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" data-mid="148076005" border="0" data-scale="47" src="https://freight.cargo.site/w/800/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" /&#62;
video_works
	&#60;img width="800" height="648" width_o="800" height_o="648" data-src="https://freight.cargo.site/t/original/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" data-mid="148076005" border="0" data-scale="47" src="https://freight.cargo.site/w/800/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" /&#62;&#38;nbsp;painting_drawing_collage
	&#60;img width="800" height="648" width_o="800" height_o="648" data-src="https://freight.cargo.site/t/original/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" data-mid="148076005" border="0" data-scale="47" src="https://freight.cargo.site/w/800/i/98dbb9064f4684fbc3feac6b8a5204d0f7396641a5b715e85d53ce3a8989e0db/folder.png" /&#62; graphic_design

&#38;nbsp;


	
	




	
	
	




</description>
		
	</item>
		
		
	<item>
		<title>video</title>
				
		<link>https://eliseschierbeek.cargo.site/video-1</link>

		<pubDate>Sat, 13 Apr 2019 20:58:58 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/video-1</guid>

		<description>
	
VIDEOS


&#60;img width="1918" height="1077" width_o="1918" height_o="1077" data-src="https://freight.cargo.site/t/original/i/094e9c4df244db6a179cbb4fce1e130e2f2b284c529ec171985678df2ce2eeb3/Screen-Shot-2022-07-17-at-6.00.11-PM.png" data-mid="148077065" border="0"  src="https://freight.cargo.site/w/1000/i/094e9c4df244db6a179cbb4fce1e130e2f2b284c529ec171985678df2ce2eeb3/Screen-Shot-2022-07-17-at-6.00.11-PM.png" /&#62;
&#60;img width="1916" height="1077" width_o="1916" height_o="1077" data-src="https://freight.cargo.site/t/original/i/91c5b234f24e75274bdd4704e6ae25aff70b54eb2f57c213219d6d9a59a542e8/Screen-Shot-2022-07-17-at-6.01.28-PM.png" data-mid="148077072" border="0"  src="https://freight.cargo.site/w/1000/i/91c5b234f24e75274bdd4704e6ae25aff70b54eb2f57c213219d6d9a59a542e8/Screen-Shot-2022-07-17-at-6.01.28-PM.png" /&#62;
&#60;img width="1919" height="1076" width_o="1919" height_o="1076" data-src="https://freight.cargo.site/t/original/i/215e5a451a4877855233b4033b43bba64c36c66c07bd5a8bfa431c3c361fe3ca/Screen-Shot-2022-07-17-at-6.02.04-PM.png" data-mid="148077081" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/215e5a451a4877855233b4033b43bba64c36c66c07bd5a8bfa431c3c361fe3ca/Screen-Shot-2022-07-17-at-6.02.04-PM.png" /&#62;
&#60;img width="1916" height="1077" width_o="1916" height_o="1077" data-src="https://freight.cargo.site/t/original/i/5b5ae8da8e6c31845955ecdbd89f4a1328b8c0f89b6b55f3ee858213275f638b/Screen-Shot-2022-07-17-at-5.59.28-PM.png" data-mid="148077077" border="0"  src="https://freight.cargo.site/w/1000/i/5b5ae8da8e6c31845955ecdbd89f4a1328b8c0f89b6b55f3ee858213275f638b/Screen-Shot-2022-07-17-at-5.59.28-PM.png" /&#62;

Proxy –– Digital HD video. Forthcoming.

	
&#60;img width="2542" height="1422" width_o="2542" height_o="1422" data-src="https://freight.cargo.site/t/original/i/0dd4233eab09f26519d0644845b7ced575a7bd78e0f95a90d6ee8a1bc029b956/Screen-Shot-2019-05-15-at-7.22.18-PM.png" data-mid="148076662" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/0dd4233eab09f26519d0644845b7ced575a7bd78e0f95a90d6ee8a1bc029b956/Screen-Shot-2019-05-15-at-7.22.18-PM.png" /&#62;
&#60;img width="1916" height="1075" width_o="1916" height_o="1075" data-src="https://freight.cargo.site/t/original/i/56b334e8695390f1172dcfe6c2aabec1386ef9acfc01ec409c8f753bdc727641/Screen-Shot-2022-07-17-at-5.54.12-PM.png" data-mid="148076852" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/56b334e8695390f1172dcfe6c2aabec1386ef9acfc01ec409c8f753bdc727641/Screen-Shot-2022-07-17-at-5.54.12-PM.png" /&#62;

&#38;nbsp;Fountain –– Digital HD video, 06:22, 2019
The filmmaker’s reflection on queer visibility. An ode to Kenneth Anger’s 1953 short “Eaux d'Artifice”.&#38;nbsp;






	
&#60;img width="1917" height="1074" width_o="1917" height_o="1074" data-src="https://freight.cargo.site/t/original/i/e1d28915581adf7f7c3844ac2ffd997cdf34b463ec92cd64b69ca79d8ee81f29/Screen-Shot-2022-07-17-at-6.11.24-PM.png" data-mid="148077398" border="0"  src="https://freight.cargo.site/w/1000/i/e1d28915581adf7f7c3844ac2ffd997cdf34b463ec92cd64b69ca79d8ee81f29/Screen-Shot-2022-07-17-at-6.11.24-PM.png" /&#62;
&#60;img width="1917" height="1076" width_o="1917" height_o="1076" data-src="https://freight.cargo.site/t/original/i/11ba85fab7933eba1c0829cd81e9bf08a2dc785b3277b78f3f86bfc332bfdfcd/Screen-Shot-2022-07-17-at-6.07.25-PM.png" data-mid="148077299" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/11ba85fab7933eba1c0829cd81e9bf08a2dc785b3277b78f3f86bfc332bfdfcd/Screen-Shot-2022-07-17-at-6.07.25-PM.png" /&#62;
&#60;img width="1917" height="1078" width_o="1917" height_o="1078" data-src="https://freight.cargo.site/t/original/i/a38768c9318807bc3ae939bab7034abb08ade9056fa477676ba12ebd1b9fdce1/Screen-Shot-2022-07-17-at-6.08.21-PM.png" data-mid="148077301" border="0"  src="https://freight.cargo.site/w/1000/i/a38768c9318807bc3ae939bab7034abb08ade9056fa477676ba12ebd1b9fdce1/Screen-Shot-2022-07-17-at-6.08.21-PM.png" /&#62;
&#60;img width="1916" height="1077" width_o="1916" height_o="1077" data-src="https://freight.cargo.site/t/original/i/66982bc0873fc95196974c41d7d53275190e4659e73310fd09e13e41df4b611f/Screen-Shot-2022-07-17-at-6.07.56-PM.png" data-mid="148077300" border="0"  src="https://freight.cargo.site/w/1000/i/66982bc0873fc95196974c41d7d53275190e4659e73310fd09e13e41df4b611f/Screen-Shot-2022-07-17-at-6.07.56-PM.png" /&#62;


	Lot W –– Digital HD video, 05:48, 2018
With the help of many screaming faces, this virtual docu-fiction imagines the engineering of meaning at a nuclear burial site.
WATCH HERE


&#60;img width="2550" height="1428" width_o="2550" height_o="1428" data-src="https://freight.cargo.site/t/original/i/b6ec10f2d4d56feaef0137683fe29fe51c739f0078c3c41d1e51357f91585ef2/SelfPreservation.jpg" data-mid="148076601" border="0"  src="https://freight.cargo.site/w/1000/i/b6ec10f2d4d56feaef0137683fe29fe51c739f0078c3c41d1e51357f91585ef2/SelfPreservation.jpg" /&#62;
&#60;img width="2548" height="1438" width_o="2548" height_o="1438" data-src="https://freight.cargo.site/t/original/i/3bd31312311de7b943a88b1ef96c35821bd9696aaaa09ffc6055fde3114ef95c/Screen-Shot-2018-05-14-at-6.59.57-PM.png" data-mid="148077610" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/3bd31312311de7b943a88b1ef96c35821bd9696aaaa09ffc6055fde3114ef95c/Screen-Shot-2018-05-14-at-6.59.57-PM.png" /&#62;
&#60;img width="2546" height="1432" width_o="2546" height_o="1432" data-src="https://freight.cargo.site/t/original/i/e46b32e3422ca85370e795b85bf483c3bd782db55f9478778849bb0b6c1575cb/Screen-Shot-2018-05-14-at-7.06.29-PM.png" data-mid="148077613" border="0"  src="https://freight.cargo.site/w/1000/i/e46b32e3422ca85370e795b85bf483c3bd782db55f9478778849bb0b6c1575cb/Screen-Shot-2018-05-14-at-7.06.29-PM.png" /&#62;
&#60;img width="2554" height="1432" width_o="2554" height_o="1432" data-src="https://freight.cargo.site/t/original/i/67c662d3485222f19735c0b38b387d9419b65c98fa2927d993610c335920ad9b/Screen-Shot-2018-05-14-at-7.05.14-PM.png" data-mid="148077612" border="0"  src="https://freight.cargo.site/w/1000/i/67c662d3485222f19735c0b38b387d9419b65c98fa2927d993610c335920ad9b/Screen-Shot-2018-05-14-at-7.05.14-PM.png" /&#62;
&#60;img width="2556" height="1432" width_o="2556" height_o="1432" data-src="https://freight.cargo.site/t/original/i/4aaecebf50148c81be82f7cd3a54dd88d6ca2470289e6b9d33fbed7c22b75296/Screen-Shot-2018-05-14-at-7.07.38-PM.png" data-mid="148077614" border="0"  src="https://freight.cargo.site/w/1000/i/4aaecebf50148c81be82f7cd3a54dd88d6ca2470289e6b9d33fbed7c22b75296/Screen-Shot-2018-05-14-at-7.07.38-PM.png" /&#62;

	Self Preservation –– Digital HD video, 13:27, 2018
“Oh Purple Mountains Majesty”. A short documentary about home video, territory, and self-defense.
 
TRAILER HERE



	
&#60;img width="1916" height="1076" width_o="1916" height_o="1076" data-src="https://freight.cargo.site/t/original/i/69d639fc018615e7ef0912502d125cbd8a20bf326d2cbb4dac0590cb58ee83d4/Screen-Shot-2022-07-17-at-6.24.04-PM.png" data-mid="148077802" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/69d639fc018615e7ef0912502d125cbd8a20bf326d2cbb4dac0590cb58ee83d4/Screen-Shot-2022-07-17-at-6.24.04-PM.png" /&#62;
&#60;img width="1918" height="1077" width_o="1918" height_o="1077" data-src="https://freight.cargo.site/t/original/i/d9938aa97fccd43461927725bd9ce9f97a9f6c6dc9e0709d01a85ae51f6311ce/Screen-Shot-2022-07-17-at-6.21.56-PM.png" data-mid="148077800" border="0"  src="https://freight.cargo.site/w/1000/i/d9938aa97fccd43461927725bd9ce9f97a9f6c6dc9e0709d01a85ae51f6311ce/Screen-Shot-2022-07-17-at-6.21.56-PM.png" /&#62;
&#60;img width="1918" height="1078" width_o="1918" height_o="1078" data-src="https://freight.cargo.site/t/original/i/1d4493c76897431122561e511b53db043d6f775544a45d0ee8a4e6fa137b61a2/Screen-Shot-2022-07-17-at-6.23.20-PM.png" data-mid="148077801" border="0"  src="https://freight.cargo.site/w/1000/i/1d4493c76897431122561e511b53db043d6f775544a45d0ee8a4e6fa137b61a2/Screen-Shot-2022-07-17-at-6.23.20-PM.png" /&#62;
New Earth –– Digital HD video, 9:00, 2017An autobiographical video essay on long-distance Skype, image quality, simulacrum, salvation, deletion, outright iconoclasm, and the becoming-image of the online lover.








	












	
	


	






	
	


	




	
	



	
	


	






	
	


	











	
	
</description>
		
	</item>
		
		
	<item>
		<title>drawing and painting</title>
				
		<link>https://eliseschierbeek.cargo.site/drawing-and-painting</link>

		<pubDate>Sat, 09 Jul 2022 23:03:59 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/drawing-and-painting</guid>

		<description>
PSYCHODIAGNOSTPaintings, Drawings, Collage&#38;nbsp; &#38;nbsp;—&#38;nbsp; &#38;nbsp;2013-2020

&#60;img width="2980" height="2980" width_o="2980" height_o="2980" data-src="https://freight.cargo.site/t/original/i/40db664e216dfbab2e903dce5c0e892bf2da304998a6cd92293661eebe283fea/IMG_2238.jpg" data-mid="148066312" border="0"  src="https://freight.cargo.site/w/1000/i/40db664e216dfbab2e903dce5c0e892bf2da304998a6cd92293661eebe283fea/IMG_2238.jpg" /&#62;Jurassics (2015-2020)





	&#60;img width="2707" height="2708" width_o="2707" height_o="2708" data-src="https://freight.cargo.site/t/original/i/f7fe2880e8d379d0ca4a27cd47cfa852fc13a6dac20ce79c24c2ab21ccf67861/Badass-Setup_2019_chalk-pastel-and-pencil-on-paper_25x25cm_58-GBP.jpg" data-mid="147490812" border="0"  src="https://freight.cargo.site/w/1000/i/f7fe2880e8d379d0ca4a27cd47cfa852fc13a6dac20ce79c24c2ab21ccf67861/Badass-Setup_2019_chalk-pastel-and-pencil-on-paper_25x25cm_58-GBP.jpg" /&#62;Home Remedies (2019)
	&#60;img width="3990" height="3990" width_o="3990" height_o="3990" data-src="https://freight.cargo.site/t/original/i/f20bcb58eb0c4b84e9b2e4ff71b6609da5ba1a9212aa948397453d871987bad5/EP_2.jpg" data-mid="148066409" border="0"  src="https://freight.cargo.site/w/1000/i/f20bcb58eb0c4b84e9b2e4ff71b6609da5ba1a9212aa948397453d871987bad5/EP_2.jpg" /&#62;Pearl (2019)


	&#60;img width="648" height="648" width_o="648" height_o="648" data-src="https://freight.cargo.site/t/original/i/27d7774911360e0459a0385f1d8bb8ae717d64d0706e0e79cf029a92a29ad845/collage1.jpeg" data-mid="148067797" border="0"  src="https://freight.cargo.site/w/648/i/27d7774911360e0459a0385f1d8bb8ae717d64d0706e0e79cf029a92a29ad845/collage1.jpeg" /&#62;
Minding Nature (2019)
	
&#60;img width="1340" height="1340" width_o="1340" height_o="1340" data-src="https://freight.cargo.site/t/original/i/f774ad0b1216dab551e4f581f4aefbb0073ddb803cde81ee1715d01ee389c843/Screen-Shot-2016-12-19-at-11.08.12-PM.jpg" data-mid="148067483" border="0"  src="https://freight.cargo.site/w/1000/i/f774ad0b1216dab551e4f581f4aefbb0073ddb803cde81ee1715d01ee389c843/Screen-Shot-2016-12-19-at-11.08.12-PM.jpg" /&#62;
Honk if you’re natural (2016)

	&#60;img width="2065" height="2073" width_o="2065" height_o="2073" data-src="https://freight.cargo.site/t/original/i/9f3934e77a77cca3514fed243738b5caa574206d70d65f19217d332aead798a7/IMG_3499.JPG" data-mid="148057676" border="0"  src="https://freight.cargo.site/w/1000/i/9f3934e77a77cca3514fed243738b5caa574206d70d65f19217d332aead798a7/IMG_3499.JPG" /&#62;Under Wraps (2015)
coming soon
	&#60;img width="976" height="977" width_o="976" height_o="977" data-src="https://freight.cargo.site/t/original/i/b2d8a5ebcdb7b90a8c35a398efff03829f02f021431fbf17df187f08294eb2ec/Cathedral.jpeg" data-mid="148066762" border="0"  src="https://freight.cargo.site/w/976/i/b2d8a5ebcdb7b90a8c35a398efff03829f02f021431fbf17df187f08294eb2ec/Cathedral.jpeg" /&#62;
Untitled Series (2014)coming soon


	&#60;img width="1280" height="1279" width_o="1280" height_o="1279" data-src="https://freight.cargo.site/t/original/i/a839bc0a8dd8acb830a663b772506f638e7502ae2d52ef315497a9e208fb8728/Lorelei-Comb.jpeg" data-mid="148066796" border="0"  src="https://freight.cargo.site/w/1000/i/a839bc0a8dd8acb830a663b772506f638e7502ae2d52ef315497a9e208fb8728/Lorelei-Comb.jpeg" /&#62;
I.D. (2014)
coming soon


	&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9f1cc4dab6beac972ec72ed9e2cafbd865f71270033f002c7043df3f05064e6f/PsalmPool.jpeg" data-mid="148066538" border="0"  src="https://freight.cargo.site/w/1000/i/9f1cc4dab6beac972ec72ed9e2cafbd865f71270033f002c7043df3f05064e6f/PsalmPool.jpeg" /&#62;Wishbones (2013)coming soon




</description>
		
	</item>
		
		
	<item>
		<title>jurassics</title>
				
		<link>https://eliseschierbeek.cargo.site/jurassics</link>

		<pubDate>Sun, 17 Jul 2022 21:05:50 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/jurassics</guid>

		<description>
Jurassics&#38;nbsp; &#38;nbsp;—&#38;nbsp; &#38;nbsp;2015-2020
“Early Middle Late” (2020) oil on canvas 30x40in
————————————————————————————————————

	



	
&#60;img width="3829" height="2836" width_o="3829" height_o="2836" data-src="https://freight.cargo.site/t/original/i/cc904507ae6fe10390d6d4dea9524abd44ab059be57283a379dac3236ca12c56/Early-Middle-Late.JPG" data-mid="148073066" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cc904507ae6fe10390d6d4dea9524abd44ab059be57283a379dac3236ca12c56/Early-Middle-Late.JPG" /&#62;



Details ————————————————————————————————————————————————————
	&#60;img width="2980" height="2980" width_o="2980" height_o="2980" data-src="https://freight.cargo.site/t/original/i/40db664e216dfbab2e903dce5c0e892bf2da304998a6cd92293661eebe283fea/IMG_2238.jpg" data-mid="148073084" border="0"  src="https://freight.cargo.site/w/1000/i/40db664e216dfbab2e903dce5c0e892bf2da304998a6cd92293661eebe283fea/IMG_2238.jpg" /&#62;
	&#60;img width="1321" height="1320" width_o="1321" height_o="1320" data-src="https://freight.cargo.site/t/original/i/425bd6e10e73634e04fc1555ff3d7e6959c96567d1dd62a36f401158e648b9fe/Screen-Shot-2022-07-17-at-4.25.12-PM.png" data-mid="148073830" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/425bd6e10e73634e04fc1555ff3d7e6959c96567d1dd62a36f401158e648b9fe/Screen-Shot-2022-07-17-at-4.25.12-PM.png" /&#62;
	Private commission&#38;nbsp;2020Logan Square, Chicago IL
“Theta at Three” (2015) oil on canvas 20x30in
—————————————————————————————————————



	
	&#60;img width="2048" height="1354" width_o="2048" height_o="1354" data-src="https://freight.cargo.site/t/original/i/a35a8a32a5528fda97a5341514198467ca1036779ad6ed3fc70d173e53b6dc63/IMG_8293.JPG" data-mid="148073070" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a35a8a32a5528fda97a5341514198467ca1036779ad6ed3fc70d173e53b6dc63/IMG_8293.JPG" /&#62;




	“Prefab“
 (2020) oil on linen 18x24in
————————————————————————————————————————————————————


	
&#60;img width="3817" height="2878" width_o="3817" height_o="2878" data-src="https://freight.cargo.site/t/original/i/d85b2d2ce78e75210d2f37c44dd7ba4899c1b8f1aca49a399c2f20cfa180a50d/Prefab-2020.JPG" data-mid="148073473" border="0"  src="https://freight.cargo.site/w/1000/i/d85b2d2ce78e75210d2f37c44dd7ba4899c1b8f1aca49a399c2f20cfa180a50d/Prefab-2020.JPG" /&#62;

Details
————————————————————————————————————————————————————

	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/44c1c627c1b1eadd442dfecac703c1130ad16ef8d53a5b766a044b9e624ca6ac/Prefab-Detail-2.JPG" data-mid="148073430" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/44c1c627c1b1eadd442dfecac703c1130ad16ef8d53a5b766a044b9e624ca6ac/Prefab-Detail-2.JPG" /&#62;
	&#60;img width="1700" height="1130" width_o="1700" height_o="1130" data-src="https://freight.cargo.site/t/original/i/fc79a6b552624ebfb283242127ddf7fee635c762027b92e780aecae2fbe6f501/Prefab_LVL3_August2020.jpg" data-mid="148073083" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/fc79a6b552624ebfb283242127ddf7fee635c762027b92e780aecae2fbe6f501/Prefab_LVL3_August2020.jpg" /&#62;
	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/559268225a93190d3e7c6821b989045613ca4f1bdaeb0427dcf276aa867164ce/Prefab-Detail-3.JPG" data-mid="148073431" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/559268225a93190d3e7c6821b989045613ca4f1bdaeb0427dcf276aa867164ce/Prefab-Detail-3.JPG" /&#62;
&#60;img width="1700" height="1130" width_o="1700" height_o="1130" data-src="https://freight.cargo.site/t/original/i/5979c868df925a4129f4a0b44e4300742efb774b149b26bb5bbd8c5bc9bf839b/Prefab_LVL3__August2020.jpg" data-mid="148073082" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/5979c868df925a4129f4a0b44e4300742efb774b149b26bb5bbd8c5bc9bf839b/Prefab_LVL3__August2020.jpg" /&#62;
	&#60;img width="5816" height="3867" width_o="5816" height_o="3867" data-src="https://freight.cargo.site/t/original/i/acf904b42bae80326fe5a6496ab9c458fb6e76c6c69b96f9fb015ac186764904/DS_edit-73.jpg" data-mid="148073407" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/acf904b42bae80326fe5a6496ab9c458fb6e76c6c69b96f9fb015ac186764904/DS_edit-73.jpg" /&#62;
	Shown in Direct Sunlight 2020
LVL3 Gallery — Wicker Park, Chicago IL&#38;nbsp;“Strategy“
 (2020) oil on canvas 11x14in
————————————————————————————————————————————————————



	
	&#60;img width="1927" height="1541" width_o="1927" height_o="1541" data-src="https://freight.cargo.site/t/original/i/6a05ee2b1ec719e2bdfadecca22c90a6bf54d8577bf6204ea3ea46dd091e1a7d/IMG_7937.jpg" data-mid="148073385" border="0"  src="https://freight.cargo.site/w/1000/i/6a05ee2b1ec719e2bdfadecca22c90a6bf54d8577bf6204ea3ea46dd091e1a7d/IMG_7937.jpg" /&#62;


	
</description>
		
	</item>
		
		
	<item>
		<title>home remedies</title>
				
		<link>https://eliseschierbeek.cargo.site/home-remedies</link>

		<pubDate>Sun, 17 Jul 2022 19:30:51 +0000</pubDate>

		<dc:creator>Elise Schierbeek</dc:creator>

		<guid isPermaLink="true">https://eliseschierbeek.cargo.site/home-remedies</guid>

		<description>
PSYCHODIAGNOST“Home Remedies” &#38;nbsp; —&#38;nbsp; &#38;nbsp;2019


	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/769abf60cdba9597174d36f21aaa9fa0bf551b79f670a50d1b0548f06e507513/IMG_2142.jpg" data-mid="148068908" border="0"  src="https://freight.cargo.site/w/1000/i/769abf60cdba9597174d36f21aaa9fa0bf551b79f670a50d1b0548f06e507513/IMG_2142.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d4c7d8a64f53e34e4a9c26daaa324a3cd063c5fb9e2c32bc55a5fbbbea677a6c/IMG_2027.jpg" data-mid="148068537" border="0"  src="https://freight.cargo.site/w/1000/i/d4c7d8a64f53e34e4a9c26daaa324a3cd063c5fb9e2c32bc55a5fbbbea677a6c/IMG_2027.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c7ee5053b4c03c9e085a6f8b5696c750b71a193518ca44e57b5a026b0e46b5fd/IMG_2599.jpg" data-mid="148069397" border="0"  src="https://freight.cargo.site/w/1000/i/c7ee5053b4c03c9e085a6f8b5696c750b71a193518ca44e57b5a026b0e46b5fd/IMG_2599.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4da7ea71f06472c732a8c70d69dbc7cb1cc466c457f1b19d93dcfd1f83418c8f/IMG_2155.jpg" data-mid="148069003" border="0"  src="https://freight.cargo.site/w/1000/i/4da7ea71f06472c732a8c70d69dbc7cb1cc466c457f1b19d93dcfd1f83418c8f/IMG_2155.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/9cd3e176e1fdbffb0d880c50265973858067c091d95f37c8dfc66519cbab0db2/IMG_2258.jpg" data-mid="148069054" border="0"  src="https://freight.cargo.site/w/1000/i/9cd3e176e1fdbffb0d880c50265973858067c091d95f37c8dfc66519cbab0db2/IMG_2258.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/38761ea8b9726f9c1c8e23a66f102a27778482758039c9cc090b35f97e51f695/IMG_2166.jpg" data-mid="148069013" border="0"  src="https://freight.cargo.site/w/1000/i/38761ea8b9726f9c1c8e23a66f102a27778482758039c9cc090b35f97e51f695/IMG_2166.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c6ddad1d2d1d9cb3525e6b193ca49a7e5cab37bccabbe133dd6e358e912363c2/IMG_2221.jpg" data-mid="148069037" border="0"  src="https://freight.cargo.site/w/1000/i/c6ddad1d2d1d9cb3525e6b193ca49a7e5cab37bccabbe133dd6e358e912363c2/IMG_2221.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3649c5de369bebfc6cb987aeec96738bc9b3cca69a2556b0d05fc850fc3953f1/IMG_2341.jpg" data-mid="148069220" border="0"  src="https://freight.cargo.site/w/1000/i/3649c5de369bebfc6cb987aeec96738bc9b3cca69a2556b0d05fc850fc3953f1/IMG_2341.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/444bf876a18f2d23a5527d3002a7539398677671a73b72b64e0f25d81493fa83/IMG_2323.jpg" data-mid="148069198" border="0"  src="https://freight.cargo.site/w/1000/i/444bf876a18f2d23a5527d3002a7539398677671a73b72b64e0f25d81493fa83/IMG_2323.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8fb28b61ab268cfe44c16c150ddf5e033f5c87c48da2c5576e0c3f44b6cf6b88/IMG_2261.jpg" data-mid="148069055" border="0"  src="https://freight.cargo.site/w/1000/i/8fb28b61ab268cfe44c16c150ddf5e033f5c87c48da2c5576e0c3f44b6cf6b88/IMG_2261.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/092967a73042e90a7b7fdf09caf2b325e7c85087c81be64f7c05a01545bfde06/IMG_2598.jpg" data-mid="148069374" border="0"  src="https://freight.cargo.site/w/1000/i/092967a73042e90a7b7fdf09caf2b325e7c85087c81be64f7c05a01545bfde06/IMG_2598.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e5ec32439b33555e9bc24e0ba772b80887f129dea0870f325fdf71d29450d579/IMG_2396.jpg" data-mid="148069232" border="0"  src="https://freight.cargo.site/w/1000/i/e5ec32439b33555e9bc24e0ba772b80887f129dea0870f325fdf71d29450d579/IMG_2396.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/921fbb6b8b6432e2118808886b04f75c1f959c3936115fdeb2047fb995b1af02/IMG_2045.jpg" data-mid="148068836" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/921fbb6b8b6432e2118808886b04f75c1f959c3936115fdeb2047fb995b1af02/IMG_2045.jpg" /&#62;

	Works in pencil, acrylic, and pastel orbit themes of interiority, ascension, and wellness in the suburban American homestead.
––––––––––

Created in residency at the Burren College of Art in Ballyvaughan, Ireland. I was fortunate to receive support from the School of the Art Institute of Chicago Travel Scholarship to spend two weeks at the college, visiting Ireland’s west coast Burren and the Aran Islands. 






	&#60;img width="2920" height="2978" width_o="2920" height_o="2978" data-src="https://freight.cargo.site/t/original/i/b39435fa5a232ba5321c03b14bfc78bdf89f6b6bcad0d009c4c399489e0d2657/The-UPS-Truck-Clambers-Back-and-Forth-Between-Heaven-and-My-House_2019_oil-pastel--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" data-mid="148071157" border="0"  src="https://freight.cargo.site/w/1000/i/b39435fa5a232ba5321c03b14bfc78bdf89f6b6bcad0d009c4c399489e0d2657/The-UPS-Truck-Clambers-Back-and-Forth-Between-Heaven-and-My-House_2019_oil-pastel--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" /&#62;The UPS truck clambers back and forth between heaven and my house
	&#60;img width="1883" height="1886" width_o="1883" height_o="1886" data-src="https://freight.cargo.site/t/original/i/8dd22ee84fe9f95f52d0c82057568a4232e9a48aada238861a62dde60acb74c1/Sacred-Canopy_2019_pen--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" data-mid="148068475" border="0"  src="https://freight.cargo.site/w/1000/i/8dd22ee84fe9f95f52d0c82057568a4232e9a48aada238861a62dde60acb74c1/Sacred-Canopy_2019_pen--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" /&#62;
Sacred canopy
	&#60;img width="2523" height="2539" width_o="2523" height_o="2539" data-src="https://freight.cargo.site/t/original/i/131d82262ff9ca7060b2a01b12370f1c13d9ae83584c06df64e85f892a4603cf/Treasures_2019_oil-pastel--pen--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" data-mid="148068622" border="0"  src="https://freight.cargo.site/w/1000/i/131d82262ff9ca7060b2a01b12370f1c13d9ae83584c06df64e85f892a4603cf/Treasures_2019_oil-pastel--pen--pencil--and-acrylic-on-paper_25x25cm_58-GBP.jpg" /&#62;
Treasures
	
&#60;img width="2707" height="2708" width_o="2707" height_o="2708" data-src="https://freight.cargo.site/t/original/i/f7fe2880e8d379d0ca4a27cd47cfa852fc13a6dac20ce79c24c2ab21ccf67861/Badass-Setup_2019_chalk-pastel-and-pencil-on-paper_25x25cm_58-GBP.jpg" data-mid="148068471" border="0"  src="https://freight.cargo.site/w/1000/i/f7fe2880e8d379d0ca4a27cd47cfa852fc13a6dac20ce79c24c2ab21ccf67861/Badass-Setup_2019_chalk-pastel-and-pencil-on-paper_25x25cm_58-GBP.jpg" /&#62;
Badass setup

	&#60;img width="2065" height="2911" width_o="2065" height_o="2911" data-src="https://freight.cargo.site/t/original/i/b3bbd9214d1886039ef3c0dc9de6e36cf2a125abeb77d2a88c16aadf06fd252f/IMG_E2964.JPG" data-mid="148070186" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/b3bbd9214d1886039ef3c0dc9de6e36cf2a125abeb77d2a88c16aadf06fd252f/IMG_E2964.JPG" /&#62;
Biofeedback


	&#60;img width="2504" height="3250" width_o="2504" height_o="3250" data-src="https://freight.cargo.site/t/original/i/5ab75aba4134380bdeb413ece2f635e079eb96ce6904d8126d9dda782958271c/IMG_E2948.JPG" data-mid="148070185" border="0"  src="https://freight.cargo.site/w/1000/i/5ab75aba4134380bdeb413ece2f635e079eb96ce6904d8126d9dda782958271c/IMG_E2948.JPG" /&#62;
Height under a pilot
	&#60;img width="2924" height="3862" width_o="2924" height_o="3862" data-src="https://freight.cargo.site/t/original/i/35d7b002f074dff925c4f316045b744614fba5403f7fdbeb1a3fe112351ae572/IMG_2595.jpg" data-mid="148070538" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/35d7b002f074dff925c4f316045b744614fba5403f7fdbeb1a3fe112351ae572/IMG_2595.jpg" /&#62;
Bug-out vehicle

	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6fb8f253baf089f355f4766ca1fd1a11384731d7afb4bb3a15e8d4e09779f8c6/IMG_2516.jpg" data-mid="148070194" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/6fb8f253baf089f355f4766ca1fd1a11384731d7afb4bb3a15e8d4e09779f8c6/IMG_2516.jpg" /&#62;Wild blue yonder
	&#60;img width="2600" height="3195" width_o="2600" height_o="3195" data-src="https://freight.cargo.site/t/original/i/1b7c222526fc9a7fcd9a75bc56671f32dde0bb9e8d7694bc4d88c238d4ea07a9/IMG_2960.jpg" data-mid="148070188" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1b7c222526fc9a7fcd9a75bc56671f32dde0bb9e8d7694bc4d88c238d4ea07a9/IMG_2960.jpg" /&#62;Angel of death

	&#60;img width="2315" height="3086" width_o="2315" height_o="3086" data-src="https://freight.cargo.site/t/original/i/fc517dd4d6b49f7301e653273acdeca5d2ddabea724bc4998cb76e42ec0038e7/IMG_2951.jpg" data-mid="148070208" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/fc517dd4d6b49f7301e653273acdeca5d2ddabea724bc4998cb76e42ec0038e7/IMG_2951.jpg" /&#62;Chiropractic ephiphany



	
	

	&#60;img width="2589" height="3493" width_o="2589" height_o="3493" data-src="https://freight.cargo.site/t/original/i/1ec2beb9080033f3b262411b76e1c859b4c0ecab3106d510a3022fbc905bb0ba/Home-Remedies_2019_cchalk-pastel--oil-pastel--pencil--and-acrylic-on-paper_45x60cm_70-GBP.jpg" data-mid="148068473" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1ec2beb9080033f3b262411b76e1c859b4c0ecab3106d510a3022fbc905bb0ba/Home-Remedies_2019_cchalk-pastel--oil-pastel--pencil--and-acrylic-on-paper_45x60cm_70-GBP.jpg" /&#62;
Home Remedies
	&#60;img width="2476" height="3317" width_o="2476" height_o="3317" data-src="https://freight.cargo.site/t/original/i/619e148dae29ef01402d13615fb77fdaa17ced0fbb3b9443dbf76bfd0d10faab/IMG_2936.jpg" data-mid="148070207" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/619e148dae29ef01402d13615fb77fdaa17ced0fbb3b9443dbf76bfd0d10faab/IMG_2936.jpg" /&#62;Dizziness of freedom


	
	



	&#60;img width="2705" height="2210" width_o="2705" height_o="2210" data-src="https://freight.cargo.site/t/original/i/eb4f539ff092b60d353348354bddd074ef163b0d13dcccafa9501fb1031e7c8b/IMG_2518---Version-2.jpg" data-mid="148070206" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/eb4f539ff092b60d353348354bddd074ef163b0d13dcccafa9501fb1031e7c8b/IMG_2518---Version-2.jpg" /&#62;Privacy
	&#60;img width="2501" height="3021" width_o="2501" height_o="3021" data-src="https://freight.cargo.site/t/original/i/4dc81d71adb5eff796301e426cf1f3806913d1758386f8c753d7a22cef026a3f/IMG_2962.jpg" data-mid="148070187" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/4dc81d71adb5eff796301e426cf1f3806913d1758386f8c753d7a22cef026a3f/IMG_2962.jpg" /&#62;
&#38;nbsp; &#38;nbsp; Sanguine-choleric
	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/aa265b4e31fec8dca2201840242f1bc582a690901b113a228dcd9c8afbe052fc/IMG_2597.JPG" data-mid="148071348" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/aa265b4e31fec8dca2201840242f1bc582a690901b113a228dcd9c8afbe052fc/IMG_2597.JPG" /&#62;
Untitled
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